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Issue 129
This issue is full of a variety of super designs, starting off with this fabulous rosehip cushion. The realistic rosehips are interspersed with bands of delicate Hardanger. A reminder of times past is our trio of windmills, one of which was owned by an ancestor of Mary! Using some new cards, there is also a collection of winter views, looking in and looking out of arched windows. Create a wonderful gift for wine-lovers with a set of embroidered glass coasters; choose from either a Blackwork or Cross stitch design. There is a magnificent and dramatic Cross stitch design based on the inlaid stone panels produced in Italy, pietra dura. With Back stitch create a midnight village scene stitched on blue band with metallic filaments. The Masterclass explores the use of colour in Whitework with a delicate sampler to suit all homes.
Issue 129

Feature Designs

Cross stitch
 
Flowers from Florence
The Etruscans and the Romans set a tradition in Italy of creating pictures in finely cut pieces of stone. Many fine examples may be seen and this embroidery is a celebration of just one example of the style. To emulate the texture and tones of the stones selected by the craftsmen, several different, closely-related shades of colour are used. The result is an unusual embroidery that is vibrant in its stylised form.

Cross stitch
 
Through the Arched Windows
Very easy and very quick to stitch, these cards could be just what you need for those last minute greetings. Each uses one of the new shaped aperture cards from Craft Creations and, by doing so, adds a new dimension and interest. Dream of Georgian houses and old-fashioned Christmases as you stitch.

Cross stitch and HardangerNature's Rubies
Of all the fuits that Nature provides, the rosehip is one of the most glorious. They spill over in falls of shining beads from the hedgerows in a display of victory and invite yo to gather them. This, of course, is just what our ancestors did and many a recipe for jelly and syrup was lovingly followed to ensure that the larder contained some products fo rthe savouring of the rosehip flavours throughout the winter. They may not have known the merits of vitamin C, in which these fruits are very rich, but there is little doubt that they knew the medicinal properties of them and used them to the full. You can enjoy the wonderful colours and forms throughout the winter too in this cushion design and in the little notebook cover - the perfect gift for a country lover. The Hardanger areas add textural interest, but can be omitted if you prefer to work Cross stitch alone.


Cross stitchWindmills of
a Bygone Age

A few hundred years ago windmills were quite a new feature of the landscape. They may have been greeted with joy as a sign of prosperity or seen as a blight on the horizon there may, perhaps, have been complaints about the noise of the sails. For us now, though, they are part of the nostalgia of an age that has past and in true British fashion, a number of them have been restored to theur former working glory.


BlackworkStarlit Village
Stitch a peaceful village view under snowy roofs and a starry sky. This design is versatile and quick to stitch using mostly Back or Running stitch which makes it ideal for a last minutecard or gift for Christmas and winter bookcase. Use the whole design for a delicately sparkling cake band or pick smaller scenes for many other uses.

Cross stitch and BlackworkVintage Year
Especially for wine lovers, this set of three glass coasters - one large and two small - are perfect for that shared bottle of a great vintage. In Cross stitch the vivid colours of the grapes and foliage provide a richness to match the mood. The choice is yours. Needless to say, the coasters would make a wonderful gift for a conoisseur friend and, as the coasters com e in a superb presentation box, even the packaging is more than half way there.Quick, easy but very stylish, perhaps more than one set will find itself being stitched.

Whitework
When Whitework gets Coloured

There are many types of embroidery that are traditionally worked in white thread on a white background or perhaps cream or écru. There are reasons for this - availability of coloured threads in the past, laundering of the item (dyes are more colourfast now than they were a few years ago) and, often, simply because they look best that way. Rules on what can and cannot be done no longer stand just for the sake of being rules, but some judgment of what is successful and what just does not work is useful. So, here we shall look at two forms of work that are often stitched using the same colour thread as the fabric and see what effect different colours and tones have on the finished pieces.
Issue 129