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Issue 109
Cross stitch blush pink tulips for a spring souvenir or create a decorative Indian bell pull. There's an antique-style Hardanger cushion and a classic still life picture for the home. The Masterclass looks at using different techniques on the same piece of fabric, and there are also some Celtic motifs in Cross stitch.

Issue 109

Feature Designs

Cross stitch

Blush Beauties
At the end of the Singel canal in Amsterdam there is a floating flower market where tulips are sold in huge bouquets of fifty stems in just as many different colours. Seeing these wonderful displays it is not surprising how tulip fever swept the country in the seventeenth century. Stitch these everlasting blooms for a souvenir of spring all year round.

 

Cross stitch

Old English Alphabet
This traditional style alphabet is inspired by the black letter calligraphy used by monks writing manuscripts. When printing first began it too tried to emulate the beautiful lettering which was often illuminated with colourful decoration, highlighted with gold. Use these versatile letters to create personalised cards, gifts or monograms for all occasions.

 
 

Cross stitchGifts from the Celts
If you think of Celtic peoples, the Irish, Welsh, Scots, Bretons and some from Cornwall may come to mind. It is particularly in Ireland that the Celtic form of art has survived and developed over the centuries. At an early stage their patterns often involved the use of circles to a standard of geometry that might leave most of us gaping in wonder and their interpretation of animal forms, referred to as zoomorphic, displayed power and mystery. Now you can recreate some of these beautiful pieces in cross stitch.


HardangerSweet Sablés
Hardanger and subtly shaded yarns from Caron are perfect partners. The light and gradual colour change of these almond threads give a softer, antique look to the embroidery. The Satin stitch heart motifs worked in these creamy tones look like the fancy biscuits found in continental cafés and are just as irresistible.
Cross stitchIndian Inspiration part 2
For centuries Indian homes have been decorated with intricate floral patterns and motifs. When the first fabrics from the East arrived in Europe in the mid seventeenth century, the population were in awe of the colourful cloth. In Paisley, Norwich and Edinburgh weavers copied the designs and made shawls "in imitation of the Indian". A 'Paisley' pattern is instantly recognisable and regarded as typically Victorian, yet the buta motif with its teardrop shape filled with flowers, is a major feature of traditional Indian decorative art. Whether block printed, stencilled or embroidered, patterns could have religious or social significance. Typical images from everyday life were reproduced in the home such as the ghudla, horse, and nahar, elephant. This magnificent bell pull is inspired by India's rich decorative tradition and will bring bright jewel colours into your home.

Multiple techniques
Different Techniques on One Fabric
Take any one embroidery technique and a particular fabric is likely to be recommended for it. Take any one fabric and certain techniques would be considered suitable for it. Without a doubt, for any single technique - Pulled work for example - there would be a family of fabrics on which the best effect would be achieved. But what if you wish to mix techniques in one piece of work? Is it possible to do Pulled work on an Aida fabric? Can you do Petit point on Hardanger fabric? Is Blackwork best stitched on an evenweave or a blockweave fabric?
In this Masterclass we find some answers and they might be quite surprising.


Cross stitchClassic Composition
A true artist can capture the light and tone of a three dimensional scene and recreate it on canvas. This still life in stitches has amazing dimensional qualities with apples, walnuts and grapes that look good enough to eat. This classic composition would look fantastic in a traditional kitchen as well as making an elegant picture for any part of your home.
Issue 109